We watch very successful acting and therapy scenes throughout the series. The conflicts and repressed emotions involving the therapists are conveyed very clearly and realistically. The music was obviously chosen carefully because after finishing the series, Ferdi Özbeğen still remains in the back of our minds.
The first scene of the series begins with Meryem's journey through the forests to a different urban world, that is, to Sinan's house. When he enters the house, he reaches for his bag and we witness him fainting. Then we join the scene with Peri, a psychologist. Interestingly, Meryem asks "Do I need to do something?", which gives an important idea about herself. It starts with.
Meryem is a character who always does something for others. It serves, encompasses and protects. In the first session, she asks the therapist whether she is single and says that her biggest wish is to get married. It's like an expression of desire without an object.
The issue of transference and counter-transferences is handled very beautifully and realistically. Meryem said, “Sister, you are obsessed with Sinan Bey too. "I didn't come here to gossip" is a very good example of transference. Peri is helpless against Meryem, with the anger and uneasiness she cannot express, reflecting an important conflict that she alienates her due to her veiledness. Even though his relationship with Meryem is on the verge of giving up every time, he will continue with the support of his therapist Gülbin, allowing him to touch upon his inner conflict with his mother. The fairy will continue to remain there as a fixed object as a therapist for Meryem, and eventually we will see a relationship established between them. Gülbin's statement towards Peri is also full of anger. So, just like Peri did to Meryem... On the one hand, "the girl is obsessed with her veil, but she is walking around with a sack" is a very true and realistic statement.
Array femininity can be discussed in the context of feminine competition and intergenerational transmission. Both Peri and Gülbin are characters who struggle with the women in the family. Peri is alien to the social environment she lives in, which was passed down from her mother. Having a marginalizing view, Gülbin has to make the same effort as her sister while she stays outside as if she is a guest in the family home and struggles with the conflicts she realizes about her mother. This time, Gülbin is exposed to the alienating gaze of her sister, and in a very painful way. We witness her sister clearly experiencing feminine competition with her sister Gülbin. The fact that her sister judges her by using a masculine discourse for not being able to keep a man under her control, for being an oppositionist, and by belittling her profession, likewise, Gülbin's refusal to accept that she applied the wrong treatment to her brother by hiding behind her identity as a doctor shows that the competition is raw for both parties and has turned into real violence and destruction. .
It was very nice to use the Qibla metaphor. Rubiye's way of facing the qibla while praying and her constant reminding and sometimes dictating to others of the right direction, direction, qibla and the path to follow are a very good example from us. However, Gülbin's imploring call to her sister, a man of all ages, such as "How can you now lick the soles of the feet of those who hit my pregnant mother's stomach?" was perhaps the most sincere and desperate one.
The Imam's speech to his daughter Hayrunnisa after the death of his wife and his words "I wanted to remain suspended in the dream world" was a scene that unconsciously paved the way for his daughter to live her dreams and at the same time evoked a fanciful side. . In the end, both of them follow their desires.
The character of Sinan is a person with whom the life stories of women somehow come together. In his relationship with his mother, we get hints that he is not contained and seen by his mother, and in the end, he reminds his mother that it is his father, not he, who loves the mincemeat his mother makes because he loves her. It was not for nothing that Gülbin went back and took the toothbrush from Sinan's house. The only things in this house are Meryem's slippers and clothes, which always have their own place. Sinan faces the reality that Meryem is the only person who maintains her existence as a fixed object in his life.
There are missing characters with hijab in the series. Although I think it is, I would like to see it in the story with a more realistic other role, such as a therapist, Peri's friend or Sinan's lover.
In general, very striking and successful approaches to the pain and predicaments of all classes are reflected. I hope that this will be a step where we can all take a more in-depth approach to our reality, understand the other, and share our pain.
Read: 0
